The images of Fatherland reveal the Peruvian landscape as spaces of evidence within the extreme, and rather common, circumstances of violent hate-crimes toward the LGBTQ community, which include rape and murder, as well as domestic violence. While Peru’s landscape is often celebrated for its diverse climates and rich cultural history, it also bares the scars of a violence born from patriarchal methodology and an intolerance that permeates its rural neighborhoods, farmlands, public parks, and urban districts.
The title of each image indicates the name of the victim and the nature of the assault.